"Kidney": What Season 3 Has in Store for Viewers

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The third season of the series "Kidneys" starts on the Kion platform. It touches on important topics of family relationships and the complexities of organ transplantation. Lyubov Aksenova stars in the lead role, and in the new season, her character will face serious challenges. We'll explore the challenges this strong and independent character faces, and why it's worth keeping a close eye on the events. This time, the consequences of her decisions could impact not only adults but also children, adding additional tension to the plot.

Natasha Kustova, played by Lyubov Aksenova, works as a fire inspector. Her life is in chaos: she accepts bribes and shares them with her boss, played by Irina Rozanova. Natasha also cheats on her husband, played by Anton Filipenko, and frequently visits bars. However, her usual way of life changes when she is diagnosed with kidney failure. To survive, she urgently needs a donor for a transplant, otherwise she will die a painful death.

Only a close relative is suitable for donation. At first glance, this is not a problem, because Natasha has two brothers, a sister, and a mother, and later it turns out that she even has a father. However, the relationships in the Kustov family are so tense that there is no hope for help. They're an unpleasant bunch of people, and Natasha is probably the least attractive of them all.

"Kidney" can be compared to the TV series "Fleabag", and this comparison is quite justified. However, Phoebe Waller-Bridge's character possesses more humanity than Natasha Kustova, who resembles a combat robot. Natasha speaks little, but masterfully manipulates those around her. She shows no emotion, confidently moving toward her goal, ignoring any obstacles.

In the first season, the main goal is to obtain a kidney; in the second season, the focus shifts to winning a man's love. In the third season, Natasha finds herself in a difficult situation, trying to avoid imprisonment. To do this, she brings a baby to court and home, for whom viewers begin to worry much more than for the heroine herself. Natasha will likely find a way out of the current circumstances, but little Natalya Leonidovna Kustova, named after her mother, is unlikely to survive for long amid a lack of food and care.

"Kidney" is a unique show in Russia, created by a single team of writers and directors. Maria Shulgina and Elizaveta Tikhonova know exactly what story they want to tell viewers and what moments to emphasize. The main character, Natasha Kustova, is a brazen, tenacious, and cynical individual who works in the fire department. She embodies the Russian woman who is capable of overcoming any challenge, even if it requires extraordinary effort. Natasha's character is a manifestation of strength taken to the extreme, where power and determination are combined with an inability to love. This show touches on important themes of feminism and inner strength, making it relevant and appealing to a wide audience.

In the first season, the creators dress Natasha in a bright red dress, symbolizing blood and passion. Her task is to find a donor, while the Kustova family strives to prove that blood is of great importance and not something insignificant. This confrontation creates tension and develops the plot, emphasizing the importance of blood as a symbol of connection and sacrifice.

Both tasks were unsuccessfully solved: none of the relatives showed readiness to Self-sacrifice, even the priest Sergei (Dmitry Lysenkov). At the same time, Natasha, like Woland, unexpectedly demonstrates the ability to perform good deeds, albeit through unusual methods. In the end, we see the heroine on the operating table in the pose of the crucified Christ. What is the significance of this image?

In the second season, Natalya Kustova appears on the run abroad, dressed in white with short white hair. She resembles the angel Gabriel from Constantine and acts accordingly—doing good at every turn. Natasha helps seventy patients, providing them with kidney transplants, and inspires a good doctor to give up alcohol. Moreover, she arranges an immaculate conception for an unfortunate cellist, who turns out to be the wife of the musician Mikhail (Grigory Chaban). Their connection began to develop in the first season, and Natasha develops special feelings for him.

The passionate love that seems to have "moved" into Natasha along with the borrowed kidney makes her increasingly cyborg-like. Striving to save the stubborn Mikhail, who is willing to wait his turn forever, the heroine stops at nothing. Her determination and willingness to walk over others underscore the strength of her feelings. This story of love, ready to overcome any obstacles, reveals new facets of human relationships and possibilities.

Nothing personal, nothing human, not a drop of tenderness and not a moment for reflection. She acts strictly within the code of a Russian woman, giving up everything she has for her beloved, including other people's apartments and bodies. This leads to disastrous consequences, because, despite her beauty, money, and boundless energy, Natasha Kustova has absolutely no idea how to cope with her emotions and dreams. Her inner world remains empty despite her external achievements, which emphasizes the importance of emotional harmony and understanding one's desires.

In the third season of the TV series "Kidney", the heroine faces an unexpected turn - she ends up holding a baby. How did this happen? Spoiler - it happens in the most insane way, which is quite consistent with the spirit of this series. The baby is named Natalya Leonidovna Kustova, and that's where the jokes end. Of course, actresses Maria Shulgina and Elizaveta Tikhonova likely have plenty more comic moments left. However, a defenseless infant in the arms of a woman who neglects him and keeps him in a shower stall creates an atmosphere that transcends the bounds of absurd dramedy. The heroine's lack of emotion in this situation proves more serious than kidney failure. The creators of the new season of "Kidneys" set themselves a difficult task: to make their heroine multifaceted and vibrant, while avoiding sentimental banality. This question becomes central to the plot, which is what draws viewers' attention. This season, Natalya Kustova appears in white, red, and blue outfits, symbolizing her connection to her homeland. However, as it turns out, her own mother abandoned her in an orphanage as a child and did not keep a single photograph, which adds depth and tragedy to her story. The story raises important themes of motherhood, identity, and finding your place in the world, making it relevant and resonant with modern audiences.