Noise Music: What It Is and How to Listen to It

Contents:

• What is noise
• Yellow Swans - Going Places (2010)
• Pedestrian Deposit - Austere (2009)
• The Goslings - Grandeur of Hair (2005)
• Kevin Drumm - Sheer Hellish Miasma (2002)
• M. B. - Symphony for a Genocide (1981)
• C.C.C.C. — Loud Sounds Dopa: Live in the U.S.A. (1993)
• Kazumoto Endo - While You Were Out (1999)
• Merzbow - 1930 (1998)
• Incapacitants - As Loud As Possible (1995)

What is noise

A classic noise track consists of a variety of noises that evoke strong negative emotions. Listeners' eardrums are under attack—noise musicians aren't afraid to provoke tinnitus in their audiences, using screeching guitars, howling brass instruments, loud drums, and even the roar of a chainsaw. In noise music, any means are permissible if the goal is to induce discomfort and a feeling of pain in the ears. At the same time, noise is intentionally devoid of musicality: no matter how much one listens to the chaos of sounds, one will never find a familiar melody. Noise music is an experiment that challenges traditional notions of music and forces one to reflect on the nature of sound. Noise is not simply the absence of music. From childhood, we were taught that the main value of music lies in melody. We grew up on popular pop hits, top-charting rock ballads, and neoclassical compositions featured in films. These elements have shaped our understanding of music. However, musicality can also be found in the sounds of the surrounding world: the sound of the sea, the hum of engines, or the rustling of leaves. This is a different form of musicality, radically different from the familiar songs of artists like Katy Perry or Nirvana. Noise opens new horizons in the perception of sound, demonstrating that music can take a wide variety of forms and express emotions beyond traditional melodies. Noise artists represent a unique genre in music, employing unconventional sound solutions and evoking strong emotions in their listeners. At first glance, it may seem strange to listen to music that is not enjoyable and can even be perceived as noise. However, fans of the genre are divided into two main categories. The first group perceives noise as a way to express inner aggression and throw off the shackles of social pressure, immersing themselves in an atmosphere of rage. The second category of listeners views noise as "white noise," providing an opportunity to disconnect from the hustle and bustle of everyday life and escape into the world of their own thoughts. Both approaches have their place, and noise can offer a unique experience to everyone.

Noise is an extreme form of musical expression, representing pure, unadulterated noise. For those looking to expand their musical horizons, we have prepared a list of 10 iconic albums of the genre, ordered by perceived complexity. However, do not rush to dive into the most extreme noise recordings right away - it is better to approach cult noise records gradually, allowing your ears to adapt to the aggressive music. Noise music offers a unique experience that can change the perception of sound and music in general.

Yellow Swans — Going Places (2010)

The risk of developing tinnitus is 20%. This means that the likelihood of this condition occurring is relatively low, but it is important to be aware of possible factors that contribute to its occurrence. Tinnitus, or ringing in the ears, can be caused by loud music, head injuries, certain medical conditions, or prolonged noise exposure. To minimize the risk, precautions such as wearing earplugs in noisy environments and regular hearing tests are recommended. A healthy lifestyle and careful attention to your hearing can help reduce the likelihood of developing tinnitus.

The full-length album by Portland duo Yellow Swans is an excellent entry point into the noise genre. This is not only due to the fact that its level of aggression is significantly lower than that of the Japanese masters of the genre. The album, at 44 minutes long, gradually introduces the listener to the world of noise: each track slowly develops, moving from calm electronics with minimal sonic distortion to a powerful sonic barrage capable of shaking even the most steadfast eardrums. The album showcases Yellow Swans' mastery of sonic texture, making it a landmark in understanding noise music.

Take the 13-minute track "Opt Out," for example. At first, the noise serves as a backdrop to melancholic synths and electronic gurgles, creating an atmosphere where it only adds depth. However, as time goes on, the noise becomes increasingly intrusive, gradually eclipsing the guitar and synth. It envelops everything, making it impossible to escape. As a result, the listener is left to accept its dominance. The final five minutes of the track are pure noise that overloads the sensory perception and leaves a powerful impression.

"Going Places" is Yellow Swans' latest album, and it is imbued with a sense of nostalgia. This feeling is emphasized by track titles such as "New Life," "Going Places," and "Limited Space." Paradoxically, despite the loud sound, this release is more calming than irritating. At first, listeners may find the music uncomfortable, but over time, the noise becomes pleasant and even lulling. Yellow Swans stand out in their genre because they draw strength not from aggression, but from tranquility. Each track contains classical melodic elements that, although hidden under layers of distortion and reverb, make the music unique and memorable.

We recommend listening to the track "Going Places" as background music. It is perfect for cleaning, cooking, or while walking. This music will create a pleasant atmosphere and help you concentrate on your tasks.

Pedestrian Deposit — Austere (2009)

Tinnitus, or hearing loss in the ears, is a common problem faced by many people. The risk of developing tinnitus is estimated at 3 out of 10. This means that the likelihood of developing this condition is relatively low, but still exists. Underlying causes of tinnitus can include prolonged exposure to loud music, hearing problems, stress, and certain medical conditions. To reduce the risk of tinnitus, it is recommended to avoid loud sounds, monitor ear health, and pay attention to stressors. Proper hearing care and regular medical examinations will help minimize the likelihood of developing tinnitus.

The album by American noise guru John Borges attracts attention with its unique combination of two opposing genres: instrumental drone and harsh noise. The sounds of viscous synthesizers immerse the listener in an atmosphere of relaxation, creating the illusion of serenity. At first glance, Austere seems like calm and safe music. However, soon the synthesizer sounds disappear, and the track abruptly transitions into electronic chaos, causing a powerful sound that penetrates the consciousness. The final 20-minute composition, You Didn’t Break Me, closes the album with an unexpected noise, like a cinematic screamer. This abrupt transition can cause strong emotions in an unprepared listener, up to a panic attack. The album offers a unique experience that combines meditative and extreme elements, inviting you to explore the boundaries of sound perception. Austere cares about its listeners. Much of the album is filled with synthesizer sounds that create an atmosphere of infinity. These melodies are only occasionally interrupted by unexpected clicking noises that add dynamics and variety. This approach allows for complete immersion in the musical space, creating a unique experience for the listener. Pedestrian Deposit produces mesmerizing and slightly mystical music that constantly keeps the listener in a state of anticipation. It is impossible to predict when an elegant melody will give way to the powerful sound of numerous industrial machines. Austere's album can be compared to an American horror film presented in a musical format. This project immerses you in an atmosphere of tension and mystery, creating a unique experience for lovers of experimental music. It is recommended to listen to noise albums not with headphones, but on a stereo system or speakers. This can significantly soften the sound and make it less aggressive. When listening on a high-quality audio system, you will be able to better appreciate the details and nuances of the composition, which will improve the overall perception of the music.

The Goslings — Grandeur of Hair (2005)

The risk of developing tinnitus is estimated at 4 out of 10. Tinnitus, or noise in the ears, can result from various factors, including exposure to loud sounds, stress, and certain medical conditions. It is important to understand the potential risks associated with tinnitus and take measures to prevent it. Timely referral to specialists and proper hearing protection can significantly reduce the likelihood of this condition. At the first symptoms of tinnitus, it is recommended to consult a doctor for diagnosis and determination of possible causes.

The American duo The Goslings have never limited themselves to pure noise. Their album Grandeur of Hair is a unique blend of guitar rock and noise music, which rightfully allows it to be called noise rock. This full-length album contains lyrical moments, vocals, melody and clearly distinguishable musical instruments. At first glance, this is not noise, but the very essence of the music says otherwise.

The first composition of the album produces an impressive effect, capable of causing a deafening ringing in the listener's ears. The sound of the guitar is reminiscent of the screech of a chainsaw connected to an amplifier, and the hit on the drums is filled with such aggression that the cymbals seem to be asking for help. The sonic textures are tangible—at sufficient volume, "Grandeur of Hair" can cause bone-aching and goosebumps. The album immerses listeners in a world of intense emotion and powerful energy, leaving an unforgettable impression.

All of The Goslings' music is composed in analog format. The artists use only electric guitars, drums, amplifiers, and guitar pedals, avoiding electronic processing. While "Grandeur of Hair" isn't considered classic noise, it may prepare listeners for a more pure form of noise. For death metal fans, Grandeur of Hair may seem a bit poppy, as The Goslings draws inspiration from shoegaze, which is often overlooked by extreme metal fans.

Tip: Don't be afraid to listen to Grandeur of Hair at low volume—the sound takes some getting used to.

Kevin Drumm — Sheer Hellish Miasma (2002)

The risk of developing tinnitus is 5 out of 10, which means the likelihood of developing this condition is moderate. Tinnitus, or tinnitus, can be caused by a variety of reasons, including exposure to loud sounds, stress, ear diseases, and other factors. To reduce the risk, it is important to take precautions such as wearing hearing protection in noisy environments, having regular hearing tests, and maintaining overall health. If you are predisposed to tinnitus or are already experiencing its symptoms, it is recommended to consult a specialist for advice and possible treatment.

We have finally reached the limit of pure noise. Kevin Drumm's full-length album, Sheer Hellish Miasma, fully lives up to its infernal title. It is a continuous stream of electronic noise that will not leave you indifferent throughout the first four tracks. Creaking squeals and clanking riffs performed on a modified electronic guitar turn most of the tracks into a real sensory torture. This album sounds like a rave party in hell, creating a unique atmosphere where every note penetrates the very depths of perception.

Drumm creates noise like an outstanding electronic musician. Each of his tracks sounds menacing and unique. Musical tones and textures constantly transform, forcing the listener to adapt to new "sounds from hell." This makes his work captivating and unpredictable, drawing attention to the experimental genre of noise music. Each composition is an immersion into an atmosphere where sound waves evoke deep emotions and create unusual experiences.

Sheer Hellish Miasma deservedly occupies a leading position in the noise genre. The band's music combines noise elements with almost danceable rhythms, making it unique and accessible to a wide audience. Unlike traditional noise, this album is free of marginal moods. The track "Cloudy" stands out from the rest, offering listeners a moment of calm and tranquility in the form of pure ambient. The musicians discussed below will not make such concessions, which makes their work even more interesting and intense.

If you think Sheer Hellish Miasma is too difficult to understand, check out Drumm's other works. His discography features a variety of genres, including ambient and electroacoustic music, which may be more accessible and enjoyable for the listener.

M. B. — Symphony for a Genocide (1981)

The risk of developing tinnitus is estimated at 6 out of 10. This means that the likelihood of this condition occurring is quite high. Tinnitus, or noise in the ears, can occur for various reasons, including exposure to loud sounds, stress, ear diseases, and other factors. It is important to be attentive to your hearing and take measures to protect it. Tinnitus prevention includes limiting the time spent in noisy environments, using earmuffs, and regularly visiting a doctor to check your hearing. Take care of your health and monitor possible signs of tinnitus.

The album by Italian composer Maurizio Bianchi is considered a cult classic and one of the most terrifying releases in the genre. His music is not only filled with noise textures and high volume, but also creates dark images of Nazi concentration camps. The album's tracks are named after places such as Treblinka, Auschwitz, and Majdanek, which emphasizes the conceptual idea and enhances the atmosphere of fear. This work immerses the listener in a terrifying world, where every sound evokes anxiety and makes you think about the tragic pages of history.

Album «Symphony for a Genocide» was created long before many well-known recordings in this genre, which can make its sound a bit dated from a musical point of view. It lacks powerful walls of noise and complex collages, which distinguishes it from modern works. Instead, the compositions are close to minimalism, but with an extremely distorted sound and unconventional rhythmic structures, which gives them uniqueness and expressiveness. This album is worth listening to for those interested in the evolution of the genre and looking for non-trivial musical solutions.

Bianchi became the founder of the genre, having a significant influence on many young artists who draw inspiration from his sound. Combining elements of industrial and noise, the composer created one of the most terrifying albums in the history of music. His unique approach to creating sonic textures and atmosphere continues to inspire new generations of musicians and expands the boundaries of perception of audio work.

Tip: Album «Symphony for a Genocide» contains very emotionally charged and triggering music. If you feel that this work may cause you negative emotions, feel free to skip it and move on to the next item on our list. Your psycho-emotional state should always come first.

C.C.C.C. — Loud Sounds Dopa: Live in the U.S.A. (1993)

The risk of developing tinnitus is 70%. Tinnitus, or tinnitus, can occur for various reasons, including exposure to loud sound, stress, and hearing problems. Prevention and timely referral to a specialist can reduce the likelihood of this condition. If you notice symptoms of tinnitus, such as constant noise or ringing in the ears, it is recommended to make an appointment with an otolaryngologist for diagnosis and possible treatment. Take care of your hearing and avoid factors that contribute to the development of tinnitus.

Music lovers often mistakenly perceive noise as a genre that exists exclusively in the studio environment. Indeed, the creation of complex noise structures is easier in a professional recording studio, where careful sound manipulation and the addition of effects are possible. However, the legendary Japanese noise group C.C.C.C. has disproved this myth, demonstrating that noise music can be quite effective in a live performance format. Their concerts become true audiovisual events, demonstrating that noise can evoke powerful emotions and impressions in listeners, regardless of the venue.

The 70-minute album Loud Sounds Dopa was recorded entirely during C.C.C.C.'s US tour. In this musical work, abstract synthesizer melodies are barely audible against a backdrop of powerful electric guitar sounds and jagged bass lines. C.C.C.C. is a noise of such intensity that it becomes virtually impossible to distinguish individual instruments. Loud Sounds Dopa sounds like a powerful typhoon passing through a distorted guitar amp. Remarkably, the band did not resort to overdubbing during the recording of the album: every sound on this release was created by Japanese masters directly on stage. This emphasizes the uniqueness of the sound and the live energy of their performances. The album is a striking example of experimental music that captivates the listener and immerses them in an atmosphere of powerful sound. Two large-scale tracks, each over half an hour long, amaze the modern listener with their depth and power. It is difficult to imagine how exhausting the audience's ears were to hear the Japanese musicians perform live. These compositions not only capture attention, but also leave an indelible mark on musical culture.

If you liked Loud Sounds Dopa, check out the studio recordings of the group C.C.C., in particular the album Rocket Shrine. Their sound is more refined and at the same time significantly more aggressive.

Kazumoto Endo — While You Were Out (1999)

The risk of developing tinnitus is 80%. Tinnitus is a condition characterized by the perception of sounds, such as noise or ringing, without the presence of an external source. It can be caused by a variety of factors, including exposure to loud sounds, stress, hearing loss, or ear disease. It is important to monitor your hearing health and avoid factors that contribute to the development of tinnitus to minimize the risk. Regular checkups with a specialist will help identify potential problems at an early stage.

It's hard to imagine that noise can be fun, but talented musician Katsumoto Endo has created a truly captivating album, While You Were Out. The cover of the Japanese artist's debut album already hints that listeners are in for an unusual musical experience. The music lives up to these expectations: Endo skillfully structures noise using loud pauses, samples from famous pop songs, and unexpected elements of static. This album is a unique combination of genres that can attract the attention of not only noise fans, but also a wider audience looking for fresh and original sound solutions.

'While You Were Out' is a truly unique recording. Endo doesn't aim to scare his listeners; instead, he acts as a kind of court jester, boldly adding elements of humor to the traditional noise formula. Over time, Endo's collage-based approach to music has had a significant influence on the noise scene, with even the legendary Merzbow repeatedly drawing on his compatriot's achievements. This work not only expands the boundaries of the genre but also demonstrates how a creative approach can transform the perception of noise music.

The humorous aspect of While You Were Out doesn't make it easy to listen to. While Endo continues to push the boundaries of noise music, he remains true to his signature style. Some tracks on this album can be so intense that they can be used as a means of psychological pressure.

The album "While You Were Out" is not available on popular streaming platforms, so you will have to search online to listen to it.

Merzbow — 1930 (1998)

The risk of developing tinnitus is 90%. Tinnitus, or ringing in the ears, is a common problem that can occur for a variety of reasons, including exposure to loud sounds, stress, and certain medical conditions. Understanding the risk factors and preventive measures can help reduce the likelihood of developing this unpleasant symptom. Taking care of your hearing and having regular checkups with a specialist can significantly reduce the chance of developing tinnitus.

Japanese musician Merzbow is the most famous representative of noise music in the world. He is considered a pioneer of the aggressive genre of noise music known as harsh noise. Merzbow was one of the first to experiment with intense synthesizer sounds, actively challenging the cultural norms of his country. In Japan, there has long been a stigma associated with loud music, and Merzbow deliberately provoked older generations with a powerful "wall of sound". Unsurprisingly, the police repeatedly intervened during his performances. His music not only shatters conventional notions of sound but also creates a unique, unforgettable experience for listeners.

The album "1930" was released on John Zorn's renowned Tzadik label, known for its commitment to avant-garde music. Even the most seasoned connoisseurs of experimental sounds couldn't expect to encounter such infernal anti-melodies. After a short introductory track, just two minutes long, a veritable mechanical hell unfolds before the listener. The album's title track lasts almost twenty minutes, and its screeching synthesizer lines combined with waves of distortion create an atmosphere reminiscent of meme-worthy "sounds from hell" recordings. The synthesizer and various electronic effects, some of which were developed by Merzbow himself, are accompanied by drums and instrumental beats. Although "1930" is not rap, in some moments the album does resemble a frenzied version of instrumental hip-hop. This work not only expands the boundaries of the genre but also provokes reflection on the nature of music and sound in general.

Merrzbow's album "1930" stands out from his other works thanks to its dynamic sound. Each of the five tracks has a unique atmosphere, and the sonic textures change literally every ten seconds. This music, although rough, is deeply engaging. Finding an approach to it will be difficult even after several listens.

Merrzbow's discography is impressive in its scope and diversity. For those just beginning to discover the work of this Japanese master of noise music, the album "Merzbeat" is an ideal choice. This release represents a more accessible and melodic approach to his experimental sound, making it a good starting point for diving into the unique world of Merzbow.

Incapacitants — As Loud As Possible (1995)

The risk of developing tinnitus is the highest level 10 out of 10. Tinnitus, or ringing in the ears, can manifest itself in various forms and significantly impair the quality of life. Its causes can be varied: from exposure to loud sounds to stressful situations. Tinnitus prevention includes the use of protective equipment when working in a noisy environment and maintaining general health. It is important to pay attention to the first symptoms and, if necessary, contact a specialist for qualified help.

The title of the Japanese duo's album clearly indicates that listening to this record will be a true test even for the most staunch death metal fans. As Loud As Possible represents the pinnacle of electronic noise. A continuous wall of devastating sound will overwhelm the listener for the entire 70 minutes, and the ringing in your ears will linger in the memory of contact with Incapacitants for several hours after the last track has ended. This album immerses you in a world of intense sonic experience that is difficult to forget.

Today, noise fans often criticize the work of Japanese artists, considering them outdated. Noise connoisseurs express dissatisfaction with the fact that new releases show no development, offering the listener monotonous sonic textures throughout the album. Many artists in the modern noise scene employ similar techniques, and in this context, Incapacitants' album may seem banal compared to more innovative work by contemporary musicians. However, it's worth noting that no one was experimenting with such techniques in the mid-nineties, and it was precisely then that unique approaches to creating noise music were emerging that inspired an entire generation of artists.

Incapacitants became key figures in popularizing this new sound, and their contribution should be remembered. Their influence on the music scene is not diminished even by the brutal sound of As Loud As Possible, where noise often evokes strong emotions in listeners.

As Loud As Possible is Incapacitants' most high-profile release, but it shouldn't be considered their most outstanding. That honor goes to N.M.S.'s extravagant album Feedback, which showcases deeper musical artistry and innovation.