Cinema & Music

The Best Films About St. Petersburg: 20 Years Since the Release of "Progulka" and "Piter FM"

The Best Films About St. Petersburg: 20 Years Since the Release of "Progulka" and "Piter FM"

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On July 3, 2025, Oksana Bychkova's cult film "Piter FM" will be re-released, and on July 24, audiences will be able to see Alexei Uchitel's "The Walk." In the same month, two significant films about love, relationships, and life in St. Petersburg in the early 2000s will hit the big screen. These new releases have divided audiences: some recall their feelings for the films with nostalgia, while others view them with criticism and incomprehension. Film critic Timur Aliyev analyzes why these films provoke such controversy and how they reflect the spirit of the "golden 2000s."

What are both films about?

The plot of the film "The Walk" focuses on one day in the life of a girl named Olya, played by Irina Pegova. On Nevsky Prospect, she meets a charming and romantic young man, Lyosha, played by Pavel Barshak. They are soon joined by his silent and sullen friend, Petya, played by Evgeny Tsyganov. During a walk through the city center, Lyosha and Petya vie for Olya's attention, which creates tension and interesting situations. At the end of this fascinating walk, the trio encounters an unexpected hero, which leads to unexpected Revelations that their day turned out to be completely different from what they imagined. The film immerses viewers in an atmosphere of romance and surprises, revealing the complex relationships between the characters and showing that sometimes first impressions can be deceiving.

Still: film "Walk" / TPO "Rock"
Still: film "Piter FM" / "Profit" / STS TV channel

"Piter FM" tells the story of a chance meeting that changes the lives of the two main characters. Radio host Masha, played by Ekaterina Fedulova, loses her phone at a crosswalk, and this lost gadget becomes a link between her and architect Maxim, played by Evgeny Tsyganov. While Masha plans her marriage to her former classmate Kostya, played by Alexei Barabash, Maxim prepares to leave for Germany, where he has been offered a promising job. They communicate periodically by phone, and Maxim hopes for the opportunity to meet Masha to return the phone that has become a symbol of their unexpected connection. The film explores themes of love, fate, and choice, emphasizing how chance can change lives.

Cultural Context

The early 2000s represent a unique period in Russian history. The turbulent 1990s were still felt in some regions, but in many large cities, the situation began to change for the better. Oil prices began to rise and reached record levels in 2008, exceeding $100 per barrel, which seems unbelievable in today's conditions. This led to a significant increase in the state budget, which depended on oil revenues. Economic growth during this period contributed to strengthening financial stability and changing the country's socioeconomic landscape.

Russia saw rising prosperity, reflected in the opening of brand-name stores on Moscow's main streets, including Zara, Marks & Spencer, Bershka, and many others. Microsoft's first office opened in the country, and by the mid-2000s, Apple and HP had opened offices. Residents of the capital could afford to travel abroad not only once a year for vacation but also on weekends, as it was accessible and affordable. Worries about basic needs, such as food and basic amenities, were a thing of the past. In the "well-fed 2000s," people enjoyed life: going to the cinema and theater, strolling in parks, and spending time in cafes with friends. This period became a time when it became possible not only to satisfy needs, but also to spend time with pleasure, which made life more fulfilling and diverse.

Still: film "Piter FM" / "Profit" / STS TV channel

In 2003 Saint Petersburg celebrated its 300th anniversary, preparing for a large-scale renovation. The city, majestic and proud, faced active construction work, which resulted in dug-up streets and fences in the center. Nevertheless, for locals, Saint Petersburg remained a warm and authentic place, despite temporary inconveniences. The city continued to maintain its unique atmosphere, attracting both residents and tourists with its historical heritage and cultural diversity.

The appearance of the films "Walk" and "Piter FM" reflects the transitional nature of the era, when Russian cinema was searching for new forms of cultural identity. These films represent two unique images of the new young Russian cinema. Alexei Uchitel's aesthetic is close to the French "New Wave", distinguished by the cult of spontaneity and documentary. In turn, Oksana Bychkova created a model of popular art mainstream, harmoniously combining artistic ambition and a commercial approach. These films became important milestones in the development of Russian cinema, demonstrating a desire for experimentation and the search for new means of expression.

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"The Walk": Documentary Petersburg

Director Alexei Uchitel has developed a unique language in Russian cinema, one that has no equal. In his works, the city is captured in a single continuous frame, which creates the effect of complete immersion in a vibrant atmosphere. St. Petersburg becomes not just a backdrop, but an active participant in the plot, where, along with crowd actors, you can see random passers-by, workers, street vendors, and eccentric characters. This gives Uchitel's films a special dynamism and realism, making them important for Russian cinema.

Cinematographers Yuri Klimenko and Pavel Kostomarov used a compact amateur camera for their work. Filming with such a camera close to the actors creates a documentary effect, which increases the viewer's immersion in the action. The main characters were surrounded by 30-40 extras, as well as the streets of St. Petersburg and ordinary passers-by, whose actions are beyond the control of cinematography. This adds an atmosphere of reality and authenticity to the film, creating a unique visual experience.

Still: film "Walk" / TPO "Rock"
Still: film "Walk" / TPO "Rock"

"Walk" is filled with the energy of the city, where every movement and emotion is at the limit. The dynamics of the events harmoniously combines with the outstanding acting of Irina Pegova, Pavel Barshak and Evgeny Tsyganov, who interact beautifully on stage. Each dialogue between characters becomes a unique monologue, addressed not only to the other characters but also to the audience. The city's aural atmosphere—street noise, fragments of conversation, and musical cues—creates a true symphony of urban life. This performance immerses the audience in a unique atmosphere, reflecting the rhythm and multifaceted nature of urban existence.

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Piter FM: Poetic Petersburg

Oksana Bychkova chose a unique approach for her debut feature film, which unfolds in the Northern capital. The film "Walk" is a contemplative look at modernity, creating the feeling of a documentary record of time. The main character, Pegova, leaves an elite foreign car, a rare sight on the streets of St. Petersburg. The characters played by Barshak and Tsyganov discuss their surrounding reality on screen: they reflect on the future of St. Petersburg for its anniversary, how the streets will change after renovations, and the prices of beer and chebureki at their favorite cafe. This film not only immerses the viewer in the atmosphere of the city, but also makes you think about its changes and social aspects of life.

Still: film "Piter FM" / "Profit" / STS TV Channel

The film "Piter FM" presents St. Petersburg in a unique A light where the city becomes not just a backdrop, but an essential element of the plot. An atmosphere of lightness and spontaneity reigns here, making every scene poetic. St. Petersburg serves as a connecting link for the characters, who strive to meet but constantly encounter obstacles. This creates a sense of deep connection between the characters and the city, emphasizing its role as an integral part of their lives. "Piter FM" shows how the city can influence human destinies, becoming a symbol of hope and expectation.

The story of a lost mobile phone becomes a symbol of fateful coincidences. Masha and Maxim strive to meet, but at the very last moment, the space seems to divide, and they are unable to be in the same place at the same time. St. Petersburg seems to control their destinies, separating and bringing them together again, like a naive and dreamy teenager. This metaphor reflects the complexity of human relationships and the unpredictability of life, where even the most insignificant event can change everything.

The frame reveals vast spaces filled with light and air. Along the embankments, near metro stations, and in the city's alleys, people stroll, fall in love, get lost, and sometimes find each other again. It's no wonder that the film "Piter FM" became a symbol of the romantic atmosphere of St. Petersburg for the youth of that time. Young people felt that every corner of the city hid romance, princes on white horses, and magical prospects. This film reflected their dreams and hopes, creating a cozy and attractive picture of life in the city on the Neva.

Approaches and Perception

The film "Walk" creates a feeling of presence and involvement. The viewer feels as if they are running with the characters, experiencing their emotions and suffering, almost physically sensing the tension in the frame. This closeness to the actors is achieved through the use of a compact digital camera, which allows for long takes lasting up to twenty minutes. This creates the illusion that events are unfolding in real time, reminiscent of a reality TV show.

Still: film "Walk" / TPO "Rock"

The musical score for the film "Walk" is done in a minimalist style. The main composition is "Wild Is the Wind" performed by Nina Simone. The singer's velvety voice creates a vivid contrast between the carefree spirit of youth and deep emotional experiences. The song is heard both at the beginning and end of the film, framing its plot and enhancing the emotional experience. Sound designer Kirill Vasilenko emphasized the natural sounds of the urban environment: the hum of cars, construction equipment, and the hum of passersby. This approach imbues the film with a documentary atmosphere, deepening the impact of the story, which the viewer experiences not only visually but also acoustically. "Piter FM" is a touching expression of love, encompassing not only the romantic feelings of the main characters but also a deep attachment to the city in which they live, as well as to life in general. Director Bychkova invites viewers to experience the warmth and beauty of everyday life, giving the film a truly human touch. The film is dominated by principles of silence and understatement, creating intrigue and captivating attention. The soundtrack, featuring compositions by bands such as Gorod 312, Markscheider Kunst, Mumiy Troll, and Bad Balance, creates a light, bright, and melancholic atmosphere, emphasizing the emotional richness of the plot. The film "Piter FM" is not only a story about love, but also about the relationship between man and the world around him, which makes it relevant and close to many viewers.

Still: film "Piter FM" / "Profit" / STS TV channel
Frame: film “Peter FM” / “Profit” / STS TV channel
Still: film "Piter FM" / "Profit" / STS TV channel

The choice of St. Petersburg as the setting places special obligations on the directors. The filmmakers strive to find a balance between showing tourist attractions and a contemporary artistic statement. In the films by Bychkova and Uchitel, the city is not just a backdrop, but an active participant in the events. In "Walk," St. Petersburg is presented as a living organism, filled with contradictions and contrasts. In "Piter FM," the city becomes a space for dreams to come true, serving as a friend and inspiration, like the poems written on its streets. Both strategies can be considered successful, as each film has acquired its own unique fan base, which has fallen in love with a specific image of St. Petersburg. It doesn't matter whether the city is surrounded by scaffolding and the noise of drills, as in Uchitel's interpretation, or immersed in iconic landmarks for locals, such as St. Isaac's Cathedral and Five Corners Square, as in Bychkova's. The main thing is that both versions of the city resonate with viewers, forming different perceptions and emotional connections with this historical and cultural center of Russia.

Reactions to the re-release

The return of the films to re-release in 2025 has caused a wide resonance among viewers. For millennials, films like "The Walk" and "Piter FM" have become a symbol of youth, when life seemed simpler, people were kinder, and dreams more accessible. These films not only evoke nostalgia but also recall a time when values ​​and relationships came first. Returning to such works of art allows you to relive the emotions and feelings that shaped the younger generation.

One of the noticeable aspects of the era represented in both films is the lack of digitalization. In the 2000s, people communicated face to face much more often than they do today via Zoom. The bloggers didn't take photos of food or new outfits for the purpose of displaying them online. They didn't have social media accounts or use services to order food, taxis, or flowers. The importance of the moment was assessed in real time, not through the prism of digital content. This highlights the contrast with the modern world, where virtual life often overshadows real emotions and interactions.

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You Can't Choose Better

The question of which is better—The Walk or Piter FM—has no clear answer. It's like trying to determine how to live life correctly, which is left to each person's discretion. In the world of The Walk, life is presented as constant risk, bright passion, and rapid movement. While in the universe of Piter FM, living means being able to notice the beauty of every moment, immerse yourself in a romantic embrace, and believe in the possibility of miracles. These two works reflect different aspects of life, and each of them is unique and fascinating in its own way.

The discussion of both films has once again raised the topic of St. Petersburg's identity. Amidst the rapid changes and commercialization of the city's historic environment, Uchitel and Bychkova's films serve as a significant reminder of St. Petersburg in the early 2000s. This time, filled with light, fresh air, dreams, and a sense of freedom, retains its uniqueness in the memories of both residents and viewers.

Today, both films are perceived as a manifesto of a bygone era, symbolizing the loss of authenticity that can only be experienced through the screen. This becomes a painful yet pleasant reminder of a vibrant and carefree period of life, when people could enjoy happiness simply by strolling around the city and engaging in conversations on any topic. This time, when everything was just beginning, leaves a special feeling of freedom and joy in the memory, which is difficult to reproduce in the modern world.

What are both films about?

The plot of the film "The Walk" tells the story of one day in the life of a girl named Olya, played by Irina Pegova. On Nevsky Prospect, she meets the charming and romantic Lyosha, played by Pavel Barshak. They are soon joined by his silent and sullen friend Petya, played by Evgeny Tsyganov. During a walk through the city center, Lyosha and Petya begin to vie for Olya's attention. At the end of the day, the trio encounters an unexpected character who reveals the true meaning of their walk, revealing that it was not as simple as it seemed at the beginning. The film explores the themes of love, friendship, and unexpected twists of fate.

Still: film "Walk" / TPO "Rock"
Still: film "Piter FM" / "Profit" / STS TV channel

"Piter FM" tells the story of a chance meeting that changes the lives of two people. Radio host Masha, played by Ekaterina Fedulova, and architect Maxim, played by Evgeny Tsyganov, meet thanks to a phone that the girl accidentally lost at a pedestrian crossing. As their stories unfold, Maxim prepares to travel abroad after receiving a job offer in Germany. Meanwhile, Masha is planning her wedding to her former classmate, Kostya, played by Alexey Barabash. Maxim periodically contacts Masha through a found phone, hoping to meet again someday and return the device to its rightful owner. This film explores themes of love, chance encounters, and choice, highlighting how one event can change people's destinies.

Cultural Context

The early 2000s mark a significant period in Russian history. Although the impact of the turbulent 1990s was felt in some regions, many major cities had already begun to emerge from the crisis. With rising oil prices, which reached record highs in 2008 (over $100 per barrel), the country's budget, dependent on oil revenues, increased significantly. This period laid the foundation for economic growth and development, which influenced social and political processes in the country.

Russia saw an increase in the population's purchasing power. Brands such as Zara, Marks & Spencer, Bershka, and many others opened their flagship stores on Moscow's main streets. International companies also visited the capital, including the first Microsoft office, and later, Apple and HP offices. At that time, working citizens could afford to travel abroad not only once a year but also on weekends, making travel affordable and popular. Problems with basic needs such as food and comfort were a thing of the past. In the "well-fed 2000s," people could enjoy life: going to cinemas and theaters, strolling in parks, and meeting friends in cafes. This time became a symbol of stability and economic growth, when the country's residents discovered new opportunities for leisure and recreation.

Still: film "Piter FM" / "Profit" / STS TV channel

In 2003, St. Petersburg was preparing for significant changes In celebration of its 300th anniversary, the city, renowned for its majestic architecture and rich history, remained a proud symbol of Russia. However, in the lead-up to the anniversary, the city center found itself in the midst of large-scale renovations: construction equipment and scaffolding filled the streets, creating temporary obstacles and inconveniences for residents and tourists. Despite these changes, for locals, St. Petersburg remained a unique and warm place, preserving its authenticity and atmosphere, drawing attention to its cultural and historical values. The release of the films "The Walk" and "Piter FM" reflected a transitional period in Russian cinema, when new forms of cultural identity were being sought. These films presented two distinct visions of the new, young Russian cinema. Alexei Uchitel's aesthetic echoed the French New Wave, emphasizing spontaneity and documentary quality. In turn, Oksana Bychkova created an example of successful art mainstream, harmoniously combining artistic ambitions with a commercial approach. These films became an important milestone in the development of Russian cinema, demonstrating a variety of styles and what attracts modern viewers.

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"A Walk": Documentary Petersburg

Director Alexei Uchitel developed a unique language for Russian cinema that was unparalleled. He became a pioneer in capturing urban scenes in a single take, using living space. St. Petersburg, in turn, was filled not only with crowd actors but also random passersby, workers, street vendors, and a variety of colorful characters. This approach not only enriches the visuals but also creates a real-life atmosphere, making Uchitel's films particularly memorable and relevant in the context of contemporary cinema. Cinematographers Yuri Klimenko and Pavel Kostomarov used a compact amateur camera for filming. Filming with such a camera close to the actors creates a documentary effect and immerses the viewer in the atmosphere of the action. While 30–40 crowd actors surrounded the main characters, a significant portion of the footage was shot on the streets of St. Petersburg with real people, making the story more lively and natural. This approach allows us to avoid artificiality and convey the authenticity of urban life, which is especially important for creating a believable cinematic experience.

Still: film "Walk" / TPO "Rock"
Still: film "Walk" / TPO "Rock"

"Walk" is permeated with the energy of the city, where everything is in constant motion and on the edge of emotions. The dynamics of the action is harmoniously combined with the brilliant acting of Irina Pegova, Pavel Barshak and Evgeny Tsyganov, who create an impressive tandem. Each dialogue between characters turns into a monologue, directed not only at the other character, but also at the viewer, creating a special atmosphere of involvement. The soundtrack of the city—street noise, snatches of conversation, and musical cues—form a veritable symphony of urban existence, immersing the viewer in the unique world of urban life.

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"Piter FM": Poetic Petersburg

Oksana Bychkova chose a unique approach to creating her debut feature film in the Northern capital. Her work focuses on a contemplative style that allows for a deeper understanding of the surrounding reality. The film "Walk" is a documentary slice of time, reflecting the atmosphere of modern St. Petersburg. The main character, Pegova, gets out of an elite foreign car, which emphasizes the contrast between the status and everyday life of the city. The characters, played by Barshak and Tsyganov, share their thoughts on the future of St. Petersburg for the anniversary, discuss how the streets will change after the renovation, and touch on everyday issues, such as the price of a bottle of beer and chebureki at their favorite cafe. The film offers viewers not only a visual experience, but also a reason to reflect on urban realities and their evolution.

Still: film "Piter FM" / "Profit" / STS TV channel

In the film "Piter FM" St. Petersburg appears in a unique light: the space is filled with lightness, spontaneity and poetry. The city becomes a connecting link between the characters, who long to meet but face numerous obstacles. This film not only captures the atmosphere of the northern capital but also explores themes of love and chance encounters, creating a sense of invisible connections between people. In "Piter FM," St. Petersburg becomes more than just a backdrop, but an active participant in the events, emphasizing the emotional tension and romance of the story.

The story of a lost mobile phone becomes a symbol of fateful coincidences. Masha and Maxim try to find each other, but at a crucial moment, space seems to separate, and they are unable to meet at the same time. St. Petersburg, like a naive and dreamy teenager, controls their destinies, sometimes separating, sometimes bringing them together again. This city bears witness to their feelings and aspirations, emphasizing the fragility of moments and the importance of each meeting.

The frame opens to wide spaces filled with light and air. On the embankments, near metro stations, and in the city's alleys, people enjoy strolls, fall in love, and sometimes get lost, but always find each other. It was the film "Piter FM" that largely shaped the romantic image of St. Petersburg for the younger generation. The city seemed full of romance, princes on white horses, and magical vistas. This atmosphere continues to attract tourists and inspire locals, turning St. Petersburg into a place where dreams come true.

Approaches and Perception

The film "The Walk" creates a vivid effect of presence and involvement. The viewer seems to be right there with the characters, experiencing all their emotions and the tightness of the frame. This effect is achieved through the use of a compact digital camera, which allows for long takes—up to twenty minutes. This creates the illusion that the action is unfolding in real time, reminiscent of a reality television show.

Still: film "Walk" / TPO "Rock"

The musical score for the film "Walk" is minimalist, with the iconic song "Wild" serving as the central composition. "Is the Wind" performed by Nina Simone. The legendary singer's velvety vocals create a striking contrast between the lightness of youth and deep emotional torment. The song is heard both at the beginning and end of the film, framing the main story and emphasizing its emotional depth. Sound designer Kirill Vasilenko emphasized the natural sounds of the urban environment, including the hum of cars, construction equipment, and passersby. This approach enhances the documentary-like quality of the film and imbues the story with a sense of reality. This allows the viewer to not only observe the events but also become part of the soundscape, enhancing the film's impact. "Piter FM" is a touching love story, encompassing not only the romantic feelings between the main characters but also a deep attachment to St. Petersburg, the city where they live. The film creates a unique atmosphere, allowing the viewer to experience the warmth and light of everyday life, making it truly human and memorable. The film is dominated by silence and understatement, which maintains the intrigue and immerses the viewer in the atmosphere. The soundtrack, featuring bands such as Gorod 312, Markscheider Kunst, Mumiy Troll, and Bad Balance, adds a lighthearted and melancholy feel, enhancing the overall impression. "Piter FM" is not just a love story, but a true ode to life and the city where people's destinies are intertwined.

Still: film "Piter FM" / "Profit" / STS TV channel
Frame: film "Peter FM" / "Profit" / STS TV channel
Still: film "Piter FM" / "Profit" / STS TV channel

St. Petersburg as a filming location posed special challenges for the directors. The filmmakers sought to find a balance between showing tourist attractions and contemporary artistic statements. For Bychkova and Uchitel, the city becomes not just a backdrop, but an active participant in the plot. In "The Walk," St. Petersburg is presented as a living organism, filled with contradictions and contrasts. In "Piter FM," the city acts as a space for dreams to come true, presenting itself as a friendly city and a city-poem.

Both strategies can be considered successful, as each film has found its own unique fan base, enamored with different aspects of St. Petersburg. It doesn't matter whether the city is surrounded by scaffolding and the sound of drills, like in "The Teacher," or presented through iconic sites like St. Isaac's Cathedral and Five Corners Square, like in Bychkova. What matters is that each of these interpretations engages viewers and shapes their perception of the city.

Reactions to the Re-Release

The return of "The Walk" and "Piter FM" for re-release in 2025 has sparked a wave of emotions among viewers. For millennials, these films have become symbols of youth, when life seemed simpler, people were kinder, and dreams were more achievable. Nostalgia for those times brings viewers back to cozy moments and memories, filling their hearts with warmth. Re-releases of these films offer a unique opportunity to relive favorite stories and discuss them with new generations of viewers, creating a bridge between the past and the present.

One of the noticeable hallmarks of the era depicted in both films is the absence of digitalization. In the 2000s, people communicated more face-to-face than they do today via Zoom. Bloggers didn't take photos of food or new outfits to post online. The characters lack social media, nor services for ordering food, taxis, or flowers. The importance of the moment was felt in reality, and not through the prism of digital screens.

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Thus, nostalgia in modern cinema is not just a tribute to the past, but a powerful tool that creates an emotional connection between the film and the viewer, and also allows for the exploration of cultural roots and traditions.

You Can't Choose Better

The question of which is better - "Walk" or "Piter FM" - remains open. It is like trying to find the answer to the question of how to live correctly. In "Walk", life is filled with risk, passion, and dynamism, where every moment is an opportunity. In "Piter FM", life lies in the ability to appreciate the beauty of the moment, to be in a tender embrace, and to believe in miracles. Each work offers a unique perspective on life that can touch the hearts of viewers and listeners.

The discussion of both films has once again brought the topic of St. Petersburg's identity to the fore. Amidst rapid change and the commercialization of the city's historical environment, the films by Uchitel and Bychkova serve as an important reminder of what St. Petersburg was like in the early 2000s. It was a city full of sun, fresh air, dreams, and freedom. The images presented in these films help preserve the memory of St. Petersburg's cultural and historical values, which are in danger of being lost in the face of modern urbanization.

Today, both films represent a manifesto of a lost era, an authenticity that can only be experienced through the screen. It is a painful yet pleasant reminder of a vibrant and carefree period of life—a time when people could enjoy the happiness of simply strolling through the city and discussing all aspects of life. This was just the start, the beginning of something new and exciting.