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Learn moreThe victorious nation, the atomic project, and the Empire State Building
In 1947, the world was in the midst of an intense nuclear arms race, and the Soviet Union needed to develop its own nuclear weapons system and nuclear energy. To successfully implement these ambitious projects, a strong foundation in fundamental science was essential. Fundamental science, in turn, required qualified specialists, as well as modern buildings, territories, and resources for research. The country's leadership has actively allocated significant resources to support these goals, which has contributed to the accelerated development of scientific research and technology in the field of nuclear energy and weapons.

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Peaceful atom: a reflection of hope for progress and the creation of a better future
The peaceful atom has become a symbol of hope for scientific progress and the possibility of creating a more prosperous world. With the development of nuclear energy, confidence arose that atomic energy could provide humanity with clean and affordable electricity. In the public consciousness, the peaceful atom was associated with an improved quality of life, economic growth, and the solution of global problems such as resource scarcity and environmental pollution. Cinema, literature, and art actively exploited the image of the peaceful atom, creating positive narratives about its potential. Films and books of the time extolled the achievements of science, emphasizing that atomic energy could be the key to progress and sustainable development. However, with the advancement of technology and the emergence of new challenges related to safety and the environment, these ideas have come under criticism. Modern society continues to discuss the role of atomic energy in the context of sustainable development. It is important to find a balance between the use of nuclear energy and ensuring safety, as well as to explore alternative energy sources. The discussion of peaceful nuclear energy remains relevant in light of global changes and the desire to create a more sustainable and secure world for future generations.
Initially, the high-rise building on Lenin Hills was planned as a residential and hotel complex. However, on March 15, 1948, the Council of Ministers decided to transfer the project to Moscow State University, following the efforts and requests of Rector Nesmeyanov. This move significantly changed the building's fate and its role in the country's educational system. The high-rise became a symbol of the university's scientific and educational power, attracting attention and emphasizing MSU's status as a leading educational institution.
By this time, the university's old and disparate buildings could not accommodate the growing number of students and faculty. With the nuclear industry and scientific research rapidly developing in this field, the country needed to create new educational structures. The high-rise building was planned to house the faculties responsible for training highly qualified specialists necessary for the progressive development of atomic science and technology.
In September 1948, with the atomic program becoming the primary objective and a significant consumer of resources, the country's leadership suspended the Soviet Union's most ambitious construction project—the Palace of Soviets. This project, intended to be a symbol of power and progress, was abandoned forever. Meanwhile, the specialists involved in the Palace of Soviets' construction shifted their attention to the construction of a new Palace of Science, planned as a complex on Lenin Hills. This project has become an important milestone in the development of science and education in the country.

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The Palace of Soviets in Moscow was conceived as a symbol of a new era and the embodiment of the ideals of Soviet power. The design, developed in the 1930s, envisioned a grand building that would serve not only as an administrative center but also as a cultural landmark, reflecting the achievements of Soviet architecture and art.
The architects envisioned the Palace as a multifunctional complex with concert halls, exhibition spaces, and venues for various events. The building's height was to exceed 400 meters, making it the tallest building in the world at the time.
The Palace of Soviets was conceived as a symbol of the power and progress of the Soviet Union, as well as a place where people would gather to discuss the most important issues of society. However, the project was shelved, and the Cathedral of Christ the Savior was built in its place, a landmark event in the history of Moscow architecture.
Thus, the Palace of the Soviets remained only in plans and sketches, but the idea of this monumental structure continues to inspire architects and historians to this day.
Boris Iofan, the famous author of the Palace of Soviets project, was appointed chief architect.

The Palace of Science, designed by Iofan, became a striking example of gigantomania and visual dominance in the capital's architectural landscape. The complex was a ziggurat consisting of five buildings: the main tower, two tall side buildings, and two lower wings. According to the architect's concept, the building was to be located on the very cliff above the river, in the place where the terrace now stands, and where there had previously been a platform for night racers, known as the "smotra." This design emphasized not only the scale of the idea, but also the desire to create a unique architectural object that would become a symbol of scientific progress and cultural heritage.
The building's location at the highest point in Moscow and its architectural features were intended to emphasize the boldness of Soviet science and the grandeur of communist ideals. However, placing such a large-scale structure on the edge of a cliff was impractical, as the soil was highly likely to fail to support the structure's weight. It is important to consider that the correct location for such large-scale structures plays a key role in their durability and safety.
On July 3, 1948, architect Iofan was relieved of his post, and the project was transferred to Rudnev. He apparently responded enthusiastically to the geo- and hydrological surveys, as well as the engineering calculations. As a result of his design, Rudnev moved the building further inland. Aesthetically, the new structure became less reminiscent of the Empire State Building and acquired the characteristics of a separate city. This approach allowed for the creation of a unique architectural composition that blends harmoniously with the surrounding space.
In the design for the Palace of Soviets and the university, Iofan used his interpretation of Art Deco, or the "ribbed style" characteristic of American skyscrapers. In 1934, he visited the United States to study new building technologies and was deeply impressed by the aesthetics of New York's architectural symbols of progress and the triumph of the will. These trips had a significant influence on his architectural vision and style, which is reflected in his works.

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The Empire State Building is one of the most famous skyscrapers in the world, located in New York City. This architectural masterpiece was completed in 1931 and remained the tallest building on the planet for many years. The Empire State Building is a symbol of American architecture and engineering, attracting millions of tourists every year.
The 443-meter-tall structure (including its antenna) impresses with its distinctive Art Deco architecture and unique design. Visitors can ascend to observation decks on the 86th and 102nd floors, which offer breathtaking views of Manhattan and the surrounding area. The Empire State Building is not only an important tourist attraction but also plays a significant role in the culture and history of New York City.
Every year, the building is illuminated in various colors to mark holidays and important events, making it even more attractive to tourists and locals. The Empire State Building is more than just a building; it is a symbol of dreams and ambitions, embodying the spirit of New York.
Rudnev's design combines eclecticism, preserving elements of Iofan's Art Deco, while vividly reflecting the aesthetics of Stalin's post-war Empire style. This grandiose skyscraper not only symbolizes the intellectual and physical might of the victorious nation but also serves as a striking example of the visual style of that era. The architectural features of the building emphasize its status and significance, making it an important part of the city's cultural heritage.

The project of Rudnev's group combined not only ideological commitments, but and engineering constraints and concepts. This made it possible to create a harmonious unity between technical aspects and creative ideas, which is a key element in the successful implementation of any projects in this field.

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Style: A Visual Guide to the Eras
Visual style, as an important part of cultural heritage, reflects the evolution of artistic movements and social changes over the centuries. Each era has its own unique characteristics, visible in architecture, painting, fashion, and design. This style guide will help you better understand the major visual trends that emerged during various historical periods. From antiquity to modern times, artistic movements are clearly linked to the context of their time. For example, the Classical era is characterized by harmony and symmetry, while the Middle Ages brought Gothic style with its majestic cathedrals and intricate ornamentation. The Renaissance revived interest in ancient ideals, while the Baroque emphasized emotion and dynamism.
The 18th and 19th centuries saw the rapid development of styles such as Rococo, Neoclassicism, and Romanticism, each leaving its mark on art and culture. The 20th century brought many new trends, such as Modernism, Postmodernism, and Minimalism, which shaped the face of contemporary art and design.
Studying visual style across eras not only broadens our horizons but also helps us better understand the cultural and historical contexts in which various artistic movements developed. Understanding these styles is important for professionals in the fields of art, design, and history, as well as for anyone interested in the cultural heritage of humanity.
Construction of Moscow State University
Vorobyovy Gory, formerly known as Lenin Hills, features problematic "floating" clay soils that posed a risk to the stability of large buildings such as this one. To prevent the possible displacement of the structure into the Moskva River, chief engineers and architects Nasonov and Nikitin developed a conceptual solution. They concluded that the weight of the building should be comparable to the weight of the removed soil. Therefore, the depth of the excavation pit had to be precisely calculated taking this criterion into account. This approach ensures the safety and stability of structures on difficult soils, which is an important aspect in construction in this area.
On December 20, 1948, the first shells intended for blasting operations to prepare the soil were laid at the construction site. These activities marked a crucial stage in the implementation of a project requiring significant land changes. Blasting operations made it possible to effectively prepare the site for further construction processes, which contributed to the successful completion of the project within the established deadline.
On April 12, 1949, a ceremonial laying of the foundation stone of Moscow State University (MSU) was held. The building's foundation was laid to a depth of 14 meters, testifying to the high level of engineering solutions and the strength of the structure. This historic moment became an important milestone in the development of higher education in Russia and a symbol of progress in the construction of scientific institutions.

The foundation of Moscow State University (MSU) is a unique structure consisting of interconnected "boxes". This system allows parts of the foundation to function as pontoons, which ensures the rise and fall in response to changes in the soil condition caused by its saturation with water. By 1955, the settlement of the box foundation was almost complete, which indicates the reliability and stability of this structure.

There is a persistent urban legend that Moscow State University (MSU) is sliding at a rate of seven centimeters per year. Another widespread myth is that secret underground refrigerators are located 200 meters beneath the main building, freezing the ground to prevent it from shifting. These myths emphasize interest in the university's architecture and engineering, but they are not true. The actual condition of the building and its foundation is maintained thanks to modern technology and constant monitoring.
Multi-story technical basements in the buildings do exist and play an important role in ensuring the functioning of the infrastructure. These spaces house pumping stations, refrigeration units for the centralized air conditioning system, boilers, and backup generators. These elements are essential for maintaining a comfortable microclimate and the smooth operation of life support systems. Proper design and operation of technical basements are critical to the reliability and efficiency of buildings.
Construction work encompassed not only the perimeter of the Palace of Science but also the surrounding areas. Dozens of barracks for workers were located here, as well as separate frame houses for engineers and architects. A kindergarten was located nearby, creating a comfortable environment for employees and their families. These measures facilitated the efficient completion of construction tasks and the creation of a favorable atmosphere on site.
A dedicated railway line from Ochakovo station was built to deliver construction materials. Walls were erected directly around the main crane, which was dismantled when it was time to install the spire on the high-rise building. Finishing work in the completed spaces began even before the floors above were completed. This made it possible to optimize the process and reduce the project completion time, which is an important aspect in the construction of modern high-rise buildings.

As a result of significant physical, economic, administrative, and political efforts, construction of the main building of Moscow State University was completed by 1953. This building has become a symbol of higher education in Russia and is a unique example of Soviet architecture. The university's main building, with its majestic appearance, has become the center of education and research. Inside, classrooms, laboratories, and libraries provide students and faculty with all the necessary conditions for study and research. Moscow State University continues to be one of the country's leading educational institutions, attracting students from all over the world.
- 240 meters high and 450 meters long along the facade.
- The spire is 54 meters high.
- 32 floors in the central part A.
- 18 floors in the side buildings B and V.
- 12 floors in the wings, which are designated on the diagrams by the letters G, E, L, I, D, Zh, M, K.
- 162 classrooms - from lecture halls for 700 people to group ones.
- 1,693 educational and scientific laboratories.
- 113 elevators that travel according to a specific pattern. A person who finds themselves in the main building for the first time will not immediately figure out which elevator will take them to the desired floor.

Since 1953, the main building of Moscow State University (MSU) has remained unchanged. Until 1990, it held the status of the tallest building in Europe, and until 2003, it was the tallest building in Moscow. This unique architectural structure continues to attract attention with its majestic architecture and historical significance.

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Absolute architectural failures: Zaha Hadid's projects and the Farnsworth House
Architecture does not always create masterpieces. Some buildings, despite the lofty ambitions of their creators, become symbols of failure. Particularly notable in this context are the projects of renowned architects such as Zaha Hadid and the Farnsworth House, designed by Ludwig Mies van der Rohe.
Zaha Hadid, known for her bold and innovative forms, has also faced criticism. Her designs, which sometimes raised eyebrows, demonstrate how even talented architects can make mistakes. Some buildings, for example, were inappropriate for their functions or did not fit into the surrounding environment, which led to negative reviews.
The Farnsworth House, built in 1951, has become a classic example of architectural failure. Despite its recognition as one of the masterpieces of modernism, critics pointed out flaws such as poor insulation and insufficient functionality. This project became a symbol of the gap between the architects' ideas and the reality of their implementation.
Reflecting on failures in architecture, we see that even the most ambitious and original ideas do not always lead to successful results. These examples serve as an important lesson for future architects about the need to consider the practical aspects of design.
Temple of Science in the Middle of Nowhere
On July 10, 1935, the Central Committee of the Party and the Council of People's Commissars of the USSR approved the General Plan for the Reconstruction of Moscow. At that time, the ancient merchant city was faced with the problem of overcrowding, and its infrastructure could not cope with the growing needs of the city's residents. As a result, the decision was made to expand the capital in accordance with the principles of socialist urban planning, which became an important step in the development of the urban environment and improving the quality of life of the population. Moscow's reconstruction focused on creating modern residential areas, public spaces, and an efficient transportation system, significantly transforming the city's appearance and enhancing its functionality. The main focus of new residential development was the southwest, which had previously been virtually uninhabited. This area includes villages such as Vorobyovo, Ramenki, Gladyshevo, Matveyevskoye, and other suburban villages. The development of infrastructure and the construction of new residential complexes attract the attention of buyers and investors, which contributes to the growing interest in this region.

In 1943, on the site of the future The vegetable gardens of the Lengory state farm were located on the "center of world culture." These lands officially became part of Moscow after World War II, when the authorities resumed the implementation of the master plan. One of the goals was to create a unified architectural and symbolic line connecting the ancient center of the capital with key sites such as the Palace of Soviets on Kropotkinskaya, Luzhniki, and Moscow University. Subsequently, it was planned to build government institutions in the Ramenki district, which was supposed to enrich the cultural and architectural landscape of the city.
The government quarter remains only an idea, and not a single capital building has been erected on this territory for several decades. Until the mid-2010s, a vast area along Vernadsky Avenue was occupied by garages and warehouses. This zone, which has significant potential for development, is awaiting its turn for transformation and the creation of new architectural objects that will contribute to the development of urban infrastructure.

During the construction of Moscow State University (MSU), new territories were actively developed. In parallel, Proezd 726, which would later become Lomonosovsky Prospekt, was built, as well as other highways and significant streets in the area. These infrastructural changes contributed to the development of the urban network and improved transport accessibility.
Landscaping work was comparable in scale to construction. As part of the university project, a large Botanical Garden was created, as well as green areas in the Versailles style. These spaces not only enrich the ecosystem, but also serve as important educational and research sites, promoting the development of botanical knowledge and sustainable landscaping.


The prominent location of the university's main building against the backdrop of Lenin Hills makes it a powerful symbol of Moscow. This building serves not only as an architectural landmark of the city but also as a venue for light shows and art installations, turning it into a unique art canvas. Such events attract the attention of both local residents and tourists, emphasizing the cultural significance of the university and its role in city life.


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Moscow's Unloved Children: A Study of Luzhkov Architecture
Luzhkov architecture occupies a special place in the Moscow landscape. This style, formed in the late 20th century, became a symbol of an era when the Russian capital was experiencing rapid changes. Despite their significance, many buildings created during this period are controversial and criticized.
The architectural solutions proposed by architects during the era of Mayor Yuri Luzhkov were distinguished by their brightness and originality. However, not all projects were successful. Some buildings have been criticized for not matching the historical context and the overall architectural appearance of the capital. Objects such as "Moscow City" and the "Golden Ring", become a subject of discussion among architects and citizens.
Nevertheless, Luzhkov's architecture has its supporters. They emphasize that these buildings brought new ideas and diversity to the city's appearance. It is important to note that many of them have become visual landmarks for Muscovites and visitors to the capital.
Research into Luzhkov's architecture allows us to better understand how the appearance of Moscow has changed and what trends were relevant in different historical periods. This allows us not only to evaluate the aesthetic value of the buildings, but also to consider their influence on the modern urban space of the capital.
Stalinist Neoclassicism
The architectural style of the main building of Moscow State University is Stalinist Empire style, also known as Stalinist neoclassicism. The main characteristics of this style include majestic proportions, the use of monumental forms, and an abundance of decorative elements. Stalinist Empire style combines elements of classical architecture and Soviet symbolism, creating impressive and memorable facades. This building became not only an important educational center, but also a striking representative of the architectural era, reflecting the ambitions and ideals of its time.
- Strict geometry and hierarchy of volumes.
The building, as well as the neighboring physics and chemistry departments, form a harmonious composition that can be imagined as parallelepipeds and cubes arranged on top of each other from larger to smaller. This architectural structure creates an impression of striving for higher ideals and inspires knowledge.
- Domination over the landscape and people.
Moscow State University, located on Lenin Hills, rises majestically, creating the impression of a castle. This place makes you think about how insignificant we can feel next to such a grandiose structure. Moscow State University is not only an educational center, but also an architectural symbol of Moscow, attracting attention with its monumentality and beauty.
This forms a metaphor that the university is something more than just a collection of people.

- Heroic sculptures and classical rostral columns.
Statues and sculptures are an important element of classicism and became the basis for Stalinist neoclassicism. For example, at the entrance are large figures "Eternal Youth of Science" - a girl and a boy with books, created in the studio of the famous sculptor Vera Mukhina. Along the pool with fountains in front of the main entrance, facing the floodplain, are busts of twelve famous Russian scientists and writers, also created by Mukhina. These works of art not only decorate the space, but also emphasize the importance of science and culture in the history of Russia.
A monument to Stalin was erected in front of the main entrance to the State Museum, but this sculpture soon lost its relevance.


Reading is an important part of our lives. It develops thinking, broadens horizons and enriches vocabulary. Books, articles and other materials allow us to gain new knowledge and ideas. Reading helps you focus and improve your concentration, which is especially important in today's distracted world. Reading also fosters empathy, allowing us to better understand the feelings and experiences of others. Therefore, it's important not only to read but also to share what you read with others. This not only enriches your knowledge but also creates a space for discussion and exchange of opinions. Choose a variety of genres and topics to ensure your reading is both interesting and useful. Finally, don't forget that regular reading can significantly improve your writing and communication skills. Monumentality and grace: five outstanding projects by Vera Mukhina Vera Mukhina is a legendary Soviet sculptor, known for her large-scale and expressive works of art. Her works harmoniously combine monumentality and sophistication, making them unique in the history of Russian art. This review presents five of Vera Mukhina's most outstanding projects, which embody her creative genius and the depth of her artistic conception.
One of Mukhina's most famous works is "Worker and Kolkhoz Woman", which has become a symbol of the Soviet era. This sculpture not only impresses with its size, but also conveys the spirit of the times, uniting labor and the desire for progress.
Another significant project is the monument to "Alexander Pushkin" in Moscow. This monument demonstrates Mukhina's mastery in conveying the emotions and depth of literary heritage, creating an image that lives in the hearts of people.
Also worth noting is her work on the "Monument to the Heroes of the Battle of Stalingrad". This monument impresses with its power and symbolism, reflecting the historical significance of the events and the memory of the heroes.
An equally important project is the sculpture "Girl with an Oar," which embodies the desire for freedom and movement. This work of art attracts attention with its dynamism and elegance.
Our review concludes with the "Frunze Monument," which reveals Mukhina's talent for creating expressive images that combine monumentality and artistic perfection.
Vera Mukhina's works continue to inspire and delight, remaining an important part of cultural heritage. Her designs not only reflect the artistic trends of their time, but also remain relevant in the modern world.
- Strict mirror symmetry and paired elements.
The height of the various building elements, including towers, entrance areas, and windows, is executed in a single architectural style and harmoniously distributed in twos or fours. This creates visual symmetry and emphasizes the integrity of the architectural solution.

- The formal decoration of the building's entrances—with marble columns, porticoes, attics, and bas-reliefs.
The main entrances to the dormitory are reminiscent of triumphal arches and ancient Roman temples. They visually emphasize ideological aspects, such as victory over darkness, the greatness of science, seen as a symbol of the Soviet era, and the prosperity of the state. These architectural elements also indicate the status of those who have access to this space.


- Eclectic decor of the facades and spire.
The building has all the characteristic elements inherent in Soviet architecture: sheaves, scrolls, stars and laurel wreaths. These details not only emphasize the historical significance of the structure, but are also vivid symbols of the Soviet era.



Reading is an important part of our lives. It not only develops our minds but also enriches our inner world, expanding our horizons of knowledge. Books allow us to immerse ourselves in new worlds, understand different points of view, and experience unique emotions. To maintain interest in reading, it is recommended to choose a variety of genres and authors, as well as take the time to discuss what you read with others. This will help deepen your understanding and make the process more engaging. Don't forget the importance of regular reading for personal growth and development.
Classicism became a leading architectural style thanks to its harmony, symmetry, and strict proportions. This style, rooted in ancient traditions, emphasizes rationality and aesthetics. In the USSR, classicism was perceived as a symbol of stability and grandeur, which corresponded to the ideals of socialist construction. Architects used elements of classicism to create monumental buildings that were intended to embody the country's power and progress. Classicism also contributed to the formation of a unique architectural appearance for cities, imbuing them with solemnity and solidity. An important aspect of its popularity was the ability to adapt classical forms to modern conditions, allowing architects to realize ambitious projects and create iconic structures. Thus, classicism became not only an aesthetic but also an ideological tool that reflected the spirit of the times and society's desire for the ideals of order and beauty.
What's inside the main building of Moscow State University
The complex of the main building of Moscow State University (MSU) was designed as a science city, ensuring autonomous existence from the central part of Moscow. There is a legend at the university about a student of the Mechanics and Mathematics Department who never left the main building from the moment he entered until he graduated. This story has become a symbol of the unique atmosphere of study and scientific research that reigns within the walls of MSU. The main building not only serves as an educational institution but also is a significant architectural object, personifying the educational traditions and achievements of the university.
In theory, this is possible if you avoid illnesses, ignore medical examinations at the MSU polyclinic, located separately, do not use the resources of the fundamental and humanities libraries, and do not engage in outdoor sports. This approach can reduce stress and free up time, but it's important to remember the impact of health and physical activity on overall productivity and quality of life. Taking care of your health and using library resources can significantly enhance your learning experience and enrich your knowledge.
The main building offers a variety of amenities and services. It houses administrative offices, conference rooms for meetings and seminars, as well as lounges and dining areas. The building also houses technical support, ensuring the smooth operation of all systems. The presence of modern equipment and comfortable infrastructure makes the main building an ideal place for work and communication.
- An assembly hall for 1,500 people and a ceremonial foyer.




- Rector's office and administrative premises.
- Scientific library.

- The Geological Faculty is on floors 3–8, the Mechanics and Mathematics Faculty is on floors 12–16, and the Geography Faculty is on floors 17–22.

- Museum of Geosciences.
- 14 canteens and buffets. Among them are "professor's" apartments, but all students and faculty have equal and free access to public catering.
- Bookstores, stationery, grocery and consumer goods stores, a hairdresser, a post office, and a printing house.
- Swimming pool, a gymnasium, and physical education rooms.
- A dormitory for students, graduate students, and 184 faculty apartments.
The appearance of residential buildings in the Temple of Science was not originally planned, but became a necessary decision. The height and architecture of the building limited the possibility of placing educational and laboratory equipment that required high precision adjustment. The equipment used by physicists and chemists did not meet these conditions. At that time, the humanities faculties could not gain access to the Temple of Science, since their contribution to the country's scientific and technological progress and the atomic project was considered insufficient.
To ensure comfortable living, large areas were allocated for rooms and areas for household needs. The shared kitchens, laundry rooms, and lounges where residents can relax and socialize are located here. This distribution of space contributes to a cozy atmosphere and facilitates everyday life.
The arrangement of the rooms for undergraduate and graduate students was carefully planned. These 12 and 18 square-meter spaces were designed to accommodate everything necessary for comfortable living, allowing the country's intellectual elite to focus on their studies and research, freeing them from everyday worries. Every interior element was carefully designed to ensure maximum functionality and comfort, creating optimal conditions for study and research.
The furniture of the 1950s was distinguished by its versatility, mobility, and high ergonomics. Moreover, the pieces were made from high-quality materials such as solid ash and oak, brass, and thick glass. These elements not only emphasized the style of the period but also ensured the durability and reliability of the furniture. As a result, furniture from the 1950s has become a symbol of comfort and practicality, which makes it relevant and in demand today.



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